Who in the Hell?: An Exploration of the Meaning
of Lucan’s De
Bello Civili 6.745-749
Casey S. Shamey (University of Missouri, Columbia)
In De Bello Civili 6.745-749, Lucan
has the witch Erictho threaten several underworld deities with an unnamed
being of incredible power (referred to as ille)
during a necromantic ritual:
paretis, an ille
compellandus erit, quo numquam terra vocato
non concussa tremit, qui Gorgona
cernit apertam
verberibusque suis trepidam castigat Erinyn,
indespecta tenet vobis qui
Tartara, cuius
vos estis superi, Stygias qui perierat undas?
Despite the quantity of scholarship on Lucan, no one has given a detailed
analysis of this passage with the purpose of determining who the mysterious ille could be; most authors, if they mention it at all,
simply hazard a guess and move on. The purpose of this paper is to
determine some likely possibilities of who this unnamed god might be and
to examine the feasibility of those candidates suggested by others. As
Lucan clearly lays out characteristics possessed by his fearsome deity, examination
of these characteristics and of other structural and contextual indicators
makes it possible to outline a rubric to compare against potential candidates.
The list of suspects range from the Demiurge, by J.D. Duff,
to the intriguing Demogorgon, suggested by Lactantius Placidus in the 5th century
and more recently championed by Daniel Ogden, to
R. Badali’s speculated Osiris or Iawe. This
paper argues against these traditional suggestions and offers, instead, several
new candidates that better satisfy the conditions set out in the passage
including the hundred-handed Briareos, and incarnations of Zeus of the Underworld. Briareos
meets all of the conditions set forth by Lucan and corresponds well with
the structural and contextual indicators. Zeus of the Underworld also
meets these conditions and is attested archaeologically to exist in conjunction
with the nether goddess of magic, Hecate.
The context of this passage is of great importance to the Erictho scene
since it serves as the climax of the necromantic ritual itself and directly
precedes the disappointing climax of the scene as a whole. Identifying
one or even several likely candidates for this powerful ille will
greatly augment our understanding of Roman necromancy and conceptions of
the underworld as well as provide a better understanding of this exciting
but ultimately anticlimactic scene.
Badali, R.. L’opera e la poesia di M. Anneo Lucano:
Commento ai libri I e vi del Bellum civile.
Casa Deitrice, Bologna. 1971-72